Drawing and Motion, Nina Annabelle Märkl

Searching for a home, Panorama, Installation view, Galerie der Künstler, 2006
photo: zeegaro

In this post I would like to go back to works from about 10 or 15 years ago, which are keyworks for my work now, referring to the dioramas and objects I showed some days ago. The work Searching for a home is one of my first works that included drawing into space. It contains topics of further concern: The observer’s spatial involvement, the fragmentary view on the world, loss of orientation and subjective structures for orientation, models of pictorial comprehension of world in interconnection between art historical tradition and contemporary subjective reflection like the cabinet of curiosities, the diorama and the panorama.

Searching for a home, Panorama, 2006,
300 x 200 x 200 cm, Ink on paper, wood, steel, motor

photo: zeegaro

The images you see show a walkable panorama which invites the beholder to step on the platform where one finds him/herself in the center of a drawing. The round drawing sketched on a paper web consists of a subjective choice of motif, narrative fragments and modular components of urban architecture, not from a panoramic view, but rather as a spatial face-to-face. It thereby becomes a sculptural work.

Stills from the outer layer

Additionally, the movement of the observer is limited to her/his own bodily movement; the motor which makes the outer round drawing go by the observer, is not directable at all nor is the arrangement of the cut out windowlike segments of the inner drawing, which open the view on the outer space. The observer only manages to direct her/his view, the order, the inner and outer drawing, which overlap each other and thereby the sequence of the mechanical film-like narrative elements. The space is defined by objects, people, relations and the fiction that lies in between those dimensions.

Preceding my work with the panorama, the decision to enclose the movement of the observer was made by using paper webs to stage large-scale drawings. The complete drawing can only be realized from a distance, by approaching the details become visible, but the overall view disappears. The change of perspective and the thereby connected structural modification of the personal orientation as well as the blank space are factors which are necessary for my exposure to my works on and with the third dimension.

Cabinet, Exhibition view, Galerie DINA4 Projekte 2009
photo: Christian Schmid

Left: Installation view, Platform 3, Munich, 2010
Right: Installation view, Galerie der Künstler, Munich, 2010

photo: Christian Schmid

The installation Cabinet shows a modular interaction between drawings and objects made of welded steel. Both objects and drawings change their meaning according to the perspective from which they are perceived.

Exhibition view, detail, Galerie der Künstler, Munich, 2010
photo: Christian Schmid
Small world, 2008
Ink on paper, welded steel, acryl glasss, ca. 80 x 120 x 40 cm
photo: Christian Schmid
Installation view, dioramas and objects, 2011,
Ink on paper, boxes, glass, brass
photo: Christian Schmid
Untitled, Ink on paper, cutouts, objet trouvés, 2009
photo: Christian Schmid

Both the dioramas which include light and shadow and the objects which get into dialogue with their surroundings, require motion and the change of perspective to be perceived in total. They so invite the beholder to get into dialogue with his/her own inner possible spaces.

Untitled, Ink on paper, cutouts, objet trouvés, 2009
photo: Christian Schmid
Untitled, diorama, Ink on paper, cutouts, 40 x 80 x 10 cm, 2010,
photo: Christian Schmid

What do you think about this?